Pabellón de cristal (1914)

Taut trabajaba con la voluntad el arte y buscaba una nueva obra de arte integral y crítica, creada con el pueblo. Su pabellón era una combinación entre metáfora y abstracción, y hablaba de fantasías futuristas contra la técnica y la función. El pabellón también ejemplificaba la ‘corona de la ciudad’: elemento urbano para reestructurar la sociedad.

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